Coral Sea: Cape Capricorn (2024)
Map collage, substrate map: Cape Capricorn, Commonwealth Government (1970), hand cut map text : Robinson's Australia, Lansdowne Press (Date Unknown), glasochrom pencil
75 x 63.5 cm
Collection, HOTA Gallery. Commissioned for Here and Now: Gold Coast Triennial 2024
Queensland (A captivating seascape where the warm sun glows all year round) (2025)
Map collage, substrate map: Queensland, Summit Robinsons, Paul Hamlyn P/L copyright (Date unknown), handcut map text: Queensland Australia 10th Edition, Gregory’s State Road Map Series, Gregory’s Publishing Company Pty Ltd (Date unknown), Glasochrom pencil
76 x 102 cm
Putting the World in the World (2012)
Map collage
Violet Drift
Map collage: hand cut found maps, map pins, foam board
Coral Sea: Amity, Point Lookout (2024)
Map collage, substrate map: Amity, Point Look Out, Queensland Government (1971), hand cut map text: Australia, NATMAP/Reader's Digest (Date Unknown), glasochrom pencil
77.5 x 119 cm
Collection, HOTA Gallery. Commissioned for Here and Now: Gold Coast Triennial 2024
Parliamo (2012)
Map collage on magazine page
Private Collection
Neo New Farm (2011)
Map collage: hand cut found maps, map pins, foam board
The sea hath its pearls surely this is one of them (2014)
Collage on board
61.0 h x 83.0 w cm
Collection HOTA Gallery. Commissioned for Fibro Coast 2014
Earth-Sky Formation #1 (Lake Amphibian) (2025)
Map collage: handcut maps, map pins, foamboard, Glasochrom pencil
85 x 105 cm
State of the Environment Ensign (2025)
Map collage: hand cut found maps, map pins, foam board
70.5 x 141cm
Mettre al mondo il mondo (Putting the world in the world) (2014)
Map collage: hand cut found maps, map pins, foam board
105 x 105 cm
Collection Queensland University of Technology Art Museum
Overcast
Map collage: hand cut found maps, map pins, foam board
Grid Trip
Map collage: hand cut found maps, map pins, foam board
Private Collection
World on Her Shoulders (2012)
Map collage on magazine page
Private Collection
Io tu e le rose (2012)
Map collage: handcut found maps
Private Collection
Coral Sea: Cape Upstart (2024)
Map collage, substrate map: Cape Upstart, Royal Australian Survey Corps (1982), hand cut map text: Queensland Road Map, Royal Automobile Club of Queensland (RACQ) (1999), glasochrom pencil
76 x 63.5 cm
Collection, HOTA Gallery. Commissioned for Here and Now: Gold Coast Triennial 2024
Down by the peaceful sea where the atmosphere is exhilarating (2014)
Collage on board
61.0 h x 83.0 w cm
Collection HOTA Gallery. Commissioned for Fibro Coast 2014
Me You and the Roses (2018)
Map collage, substrate map: Longarone (Date unknown), hand cut map text: Map sourced from the British School at Rome Library (Date Unknown), glasochrom pencil
Landlocked
Map collage: hand cut found maps, map pins, foam board
Coral Sea: Papua New Guinea (triptych) (2024)
Map collage, substrate map: Papua New Guinea, Department of Defence (1971), hand cut map text: Il Mondo Edizione Inglese, Michelin (2005), glasochrom pencil
114 x 151 cm
Collection, HOTA Gallery. Commissioned for Here and Now: Gold Coast Triennial 2024
Ti Amo (I Love You) (2012)
Map collage: hand cut found maps
Borderline
Map collage: hand cut found maps, map pins, foam board
I began making these map collages in 2010 during an artist in residence I undertook in Wellington, New Zealand. During the residency I struck across an Atlas of New Zealand at a thrift store close to the studio. From that point, employing actual maps in my ‘exercises in mapping’ became an ongoing part of my work.
These works have been commissioned for exhibitions at the Embassy of Australia in Washington DC U.S.A. and HOTA Home of the Arts (on two separate occasions), and exhibited at the British School at Rome in Italy, and in Brisbane, Australia, at BMC Agency, Spiro Grace Art Rooms and the Churchie Art Award. They have been curated into the permanent art collections of the Mater Private Hospital and Northern Busway Tunnel in Brisbane, Gold Coast University Hospital in Southport, and a temporary public artwork in Platform at the Royal Brisbane Women’s Hospital Busway. These works are held in the collections of HOTA Home of the Arts Gallery, Queensland University of Technology Art Museum, and private collections in Italy, Australia and New Zealand.
Navigating the personal and geopolitical, these works employ found maps and traditional cartography mediums including map pins and Glasochrom pencil. The stencil I use for the text works was purchased in Rome during a three month studio residency at the British School at Rome as the recipient of the Australia Council Studio. The use of text in my work was inspired by the a work of Italian concrete poet Ketty La Rocca that I saw at the MAXXI in Rome. From that point a whole new formation of work emerged. By rupturing and rearranging the visual and spatial relationships in the maps, these work look at the shifting climates and geographies of our time. Employing collage in their formation, the hand cut maps and text are spliced, pinned and glued together to create new landforms and cartographical scenes. Countries and borders, elevations and terrain are also amassed through a lens of personal recollection. The aerial perspective employed in these works pinpoint formative life experiences of being frequently airborne, and revisit memories of navigating the earth from the sky with my pilot parents and as a trainee pilot.